After the rousing success of The Scarlet Claw, could Universal’s Holmes and Watson series continue at the same fever pitch? Well, no, not quite, but this breezy thriller, kicking off the next trio of Holmesian adventures for Basil Rathbone and Nigel Bruce, remains none the less extremely entertaining. It is also one of the most faithful to its original Conan Doyle source, in this case The Adventure of the Six Napoleons, in which Lestrade calls on the detective to investigate a series of odd crimes perpetrated by a an ape-like man.
The following is offered for Todd Mason’s Tuesday’s Overlooked Film meme at his fab Sweet Freedom blog.
John le Carré remains a true perennial and an astonishing success story. Some 55 years from his debut, he is still a best-selling author and adaptations of his work, like the BBC mini-series of The Night Manager, are big ratings winners and critical favourites too. This spurred me and a friend of mine (lets call him ‘Giles Ladd’) to search through the le Carré back catalogue for one of his books that neither of us had read. We came up with Little Drummer Girl, which is set in the Arab-Israeli conflict.
I offer this review for Bev’s 2016 Silver Age Vintage Mystery Scavenger Hunt and Patti Patti Abbott’s Friday’s Forgotten Books meme at her fab Pattinase blog.
In the 1960s two film companies made a long series of films using the Edgar Wallace byline – the UK thrillers were made for Anglo Amalgamated (my microsite devoted to these is here), while Rialto filmed their own in Germany, though often set in England. Solange is very loosely based on the Wallace novel The Clue of the New Pin but along with this bit of heritage it offers a fascinating example of pop culture cross-pollination as an Italo-German co-production filmed largely in London that acts effectively as a sort of giallo-krimi cross-over.
The following is for Tuesday’s Overlooked Film meme hosted by Todd Mason at his fab Sweet Freedom blog
The 44th entry in the Ed McBain series of police procedurals offers two main storylines. In the first, Carella and Meyer investigate two cases of attempted murder against one person and two related deaths; in the second we carry on the story from the previous book in the series, Widows, following the trial of the men who murdered Carella’s father. Along the way we get digressions on racial disquiet, the Chicago mob, and the lacunae at the heart of the American justice system. But the author is still trying out new twists and turns too …
I submit this review for Patti’s Friday’s Forgotten Books meme hosted today by Todd Mason at Sweet Freedom.
Made on location in the Loire Valley in France, this 99-minute thriller takes a simple, stripped down concept – two people on a biking holiday become isolated and fear they are being stalked by a killer – and then stretches and squeezes it to extract the maximum amount of suspense. The result is a movie that, despite a little bit of padding here and there, offers a fascinating exercise in how to create and sustain jeopardy and even a sense of claustrophobia despite the story all taking place in wide open spaces. It was the clever notion of Brian Clemens, here using the main production personnel that he had just finished working with for nearly a decade on his greatest TV hit, The Avengers (1961-69).
The following is offered for Tuesday’s Overlooked Film meme hosted by Todd Mason at his fab Sweet Freedom blog
Don DeLillo has a new book out but I don’t have it yet – so I am looking at one of his first, instead. A darkly comic conspiracy thriller, it involves murder, transvestitism, radical journalists, art dealers, a US Senator, the CIA, a smut merchant and Vietnamese hitmen, all on the hunt for a scabrous piece of long-lost Naziana. It is also an oblique satire on the acquisitive society, where the hunt for an object exhausts its pursuers until they find something else to fixate on – until that too is obtained.
The following review is offered as part of Bev’s Silver Age Vintage Mystery Scavenger Hunt; Patti Abbott’s Friday’s Forgotten Books meme at her Pattinase blog.
Regular Fedora visitors will know that I love spy movies and am a sucker for stories about amnesia, so the Bourne saga – about a spy who forgets who he is and searches for answers from his old employers at the CIA – has been a very good fit for me! I went to see Jason Bourne at the weekend, my expectations tempered by some lukewarm reviews but nothing had truly prepared me for what I saw …
The following review is sarcastically offered as part of the Tuesday’s Overlooked Film meme hosted by Todd Mason over at his Sweet Freedom blog – you should head over there to see the many other fascinating titles that have been more properly selected.