John Dickson Carr is my favourite Golden Age mystery author and this entry, featuring his titanic sleuth Gideon Fell, was published when he was at the height of his powers. However, this one isn’t as well-known as many of the other titles he produced at the time. It begins very well indeed when mystery writer Chris Kent, trying to survive on his wits to win a bet, tries to get a free breakfast in a renowned hotel and comes across the body of a woman inside a large trunk …
I submit this review for the Tuesday Night Bloggers meme devoted this month to Carr and hosted by Noah over at his Archives; and Todd Mason’s Tuesday’s Overlooked AV Media meme at his fab Sweet Freedom blog.
Francine: “It’s so horribly ingenious that I can’t believe a word of it.”
Kent runs off to the home of Gideon Fell and finds him in a meeting with Inspector Hadley – they already know about the murder at the hotel, but have several shocks in store for Kent as the woman, battered post-mortem so as to be almost unrecognisable, was Jenny, the wife of Kent’s cousin Rodney, who was himself murdered in almost identical circumstances at the country home of Sir Gyles Gray two weeks before. Kent was meant to meet the pair, and several other friends from South Africa, at that same hotel, which is why he was there – but who would want to murder his well-liked friends? And what about Jenny’s missing bracelet, which then magically re-appears? And who is the phantomatic hotel porter who was spotted at the scene of both crimes? And what of the curious murder method involving towels?
Inspector Hadley to Dr Fell: “By the Lord Harry, I’m going to have one case where you play fair.”
It is quite easy to see why this is considered lesser Carr – it is full of great elements but a lot of them don’t ultimately dovetail. Equally, there are a lot of coincidences (like the business about the two bracelets, Sir Gyles’ previous acquaintance with Jenny and the hotel card floating out of the window) – and then there is a use of a secret passageway to get out of a locked room, which the author would normally have decried and might seriously annoy some readers. Douglas Greene in his biography of Carr tells us that the novel was written at great speed to fulfil a sudden obligation to his publishers, which probably explains why some of the plot points don’t intersect as seamlessly as usual. But, having said that, it is also great fun, the potential for a ‘hidden door’ is in fact signalled quite fairly early on, and the identity of the murderer, revealed in a spooky sequence in a moonlit graveyard, is a great surprise. And while the plot elements are not always woven together as well as they might, they are all in and of themselves highly enjoyable. And in several places Carr does his usual masterful job of tripping up the reader by destroying our most ingenious suppositions about who may have done it. In particular there is a wonderful section in which Fell lectures us and breaks down the case into a dozen crucial but mysterious elements. Even if bits are improbable and some too coincidental, this is tremendously entertaining. But then, I love Carr, and lesser Carr is still better than most in my philosophy!
Melita (Wendy Craig): “So he did know here, but he’d forgotten her. And he might have murdered her, but he didn’t. That’s men for you, isn’t it? So unpredictable. “
In 1997 the BBC broadcast a two-part dramatisation of the book as part of its Gideon Fell series starring the late Donald Sinden – these were all produced and directed by Enyd Williams and dramatised by Peter Ling. The two 45-minute episodes were:
1: The Riddle of the Stone
2: The Secret in the Stone
In adapting it, Ling was extremely faithful to the story, making only a few tweaks by changing the characters from South Africans to Australians (not sure why), moving the story from January to May 1937, to coincide with the Coronation, and removing Wrayburn from the story entirely but partly amalgamating him with Sir Gyles, which actually works extremely well and in fact by doing so definitely improves on the novel, which is a bit overlong (my edition runs to over 270 pages). Sinden as always makes for an engaging Fell, though admittedly he was not an obvious bit of casting (he might have been better as Merrivale, though I have always fancied Timothy West in the part). Indeed, it is Richard Johnson’s Sir Gyles, in an expanded role, who rather steals the show here. As always with the BBC, the production is technically impeccable, and I am starting to warm to the perhaps too jolly theme music (the composer is uncredited).
The Dr Gideon Fell Mysteries (BBC Radio, 1997-2001):
- The Hollow Man 2 parts (26 March – 2 April 1997)
- The House in Gallows Lane – 2-parts (8-15 October 1997), a re-titled adaptation of Carr’s novel, Till Death Do Us Part
- To Wake the Dead – 2 parts (22-29 October 1997)
- The Blind Barber (5 November 1997)
- The Black Spectacles (9 May 1998)
- The Mad Hatter Mystery (3 July 1999)
- He Who Whispers (25 March 2000)
- Below Suspicion (20 January 2001)
Availability: The first two productions – The Hollow Man and The House in Gallows Lane – were released on audio tape but never on CD. The series is occasionally repeated on BBC Radio 4 Extra and copies are in circulation on the gray market and are well worth finding if you are a fan f radio drama … Also worth keeping an ear out (sic) for The Genius of Gideon Fell, a documentary made as part of the BBC radio series The Radio Detectives by historian Jeffrey Richards devoted to Gideon Fell on radio, including coverage of the early Carr plays from the 1940s.
To Wake the Dead / Gideon Fell (BBC Radio Four, 22-29 October 1997)
Director: Enyd Williams
Producer: Enyd Williams
Scriptwriter: Peter Ling
Cast: Donald Sinden (Fell), John Hartley (Inspector Hadley), David Brooks (Chris Kent), Richard Johnson (Sir Gyles Gray), Wendy Craig (Melita Reaper), Tracy-Ann Oberman (Francine), John Rowe (Dan Reaper). Roger May (Ritchie Bellows), Sarah Rice (Jenny Kent), Iwan Thomas (Inspector Tanner)
I submit this review for Bev’s Golden Vintage Scavenger Hunt in the ‘graveyard’ category: