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Category Archives: Brian de Palma
The romance of Brian De Palma
The following revisit of a favourite film and director is offered for the Brian De Palma Blogathon being hosted by Ratnakar Sadasyula at his site, Seetimaar – Diary of a Movie Lover from 11 to 21 September to celebrate the great filmmaker’s birthday … Continue reading
Top 15 Caper Movies
Everybody loves caper movies just a little bit, right? Whether it’s Newman and Redford pulling off The Sting, Tom Cruise and the Mission: Impossible team breaking into the CIA or Danny Ocean’s crew knocking off casinos in Vegas, this is … Continue reading
THE FURY (1976) by John Farris
A wannabe blockbuster in its day, John Farris’s expansive novel – and the far more linear movie version he scripted for Brian De Palma – still works as a sui generis mixture of espionage, action and the paranormal. Gillian is a … Continue reading
The Passion of Brian De Palma
Well, there is a slight change to our usual schedule today as it’s my birthday, which means I am officially in my mid forties … good grief! So I could commemorate this august moment just by joining a gym (of … Continue reading
Top 20 Spy movies
The release of Ben Affleck’s smart historical satire Argo, based loosely on the true extraction by the CIA and Canadian officials of six American Embassy staff members out of Tehran in 1980, made me reflect on the spy genre as … Continue reading
Posted in 'Best of' lists, Adam Hall, Alfred Hitchcock, Amnesia, Billy Wilder, Brian de Palma, Cold War, Elleston Trevor, Eric Ambler, Espionage, Film Noir, George Smiley, Ian Fleming, James Bond, John Frankenheimer, John le Carre, Len Deighton, London, Michael Powell, New York, Paris, Quiller, San Francisco, Scene of the crime, Spy movies
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Vertigo (1958) – Best film ever?
Is Alfred Hitchcock’s Vertigo the greatest film of all time? The 2012 Sight & Sound critics poll thinks so. And even if this is not true (some don’t even think it’s the best of the director’s thrillers), how well do people … Continue reading
Femme Fatale (2002) – Tuesday’s Overlooked Film
This supremely seductive thriller – part cine-literate film essay, part heist movie – offers the possibility of redemption for even the unlikeliest past offender, which seems entirely appropriate because Femme Fatale was a box office bomb, but it really does … Continue reading