Colin Dexter has died aged 86. To crime fiction fans he will of course be remembered as the creator of Inspector More and Sergeant Lewis, two of Oxford’s finest detectives. Dexter was also an educator and a crossword buff, and both of these elements regularly crept in to his novels and short stories.
I only got to meet him once, some 25 years ago at a book signing for his (then) latest Morse book, The Jewel That Was Ours, in London’s then premiere bricks and mortar mystery bookshop, Murder One. He was jovial, welcoming and engaged and was great to talk to. He kindly signed copies of all his Morse paperbacks for me, as a wedding present for my cousin Simon, who loves Dexter even more than I do. Below is my celebration of the Morse books and TV series, revised from a post that originally appeared many years ago, as a tribute to the great Dexter.
There are two distinct flavours of Inspector Morse – first there are the Colin Dexter series of thirteen novels (and a handful of short stories) published between 1975 and 1999; then there are the 33 feature-length episodes of the TV series starring John Thaw and Kevin Whately, which is made up of adaptations of the novels, new TV stories by Dexter and original scripts – it was first screened on British TV from 1987 to 2000. The two are surprisingly distinct entities though clearly one must consider their relationship quite carefully, especially as the later books have also been influenced by the TV version. Thus what follows is intended as a celebration of the dual if inextricably bound iterations that create Inspector Morse.
The books (1975-1999)
Last Bus to Woodstock, Colin Dexter’s first novel, was published in 1975 and it introduced the surly and saturnine Oxford police inspector E. Morse and Lewis, his sergeant – in the books the two characters are roughly the same age and have much more in common than they do in the TV series. Dexter’s stories are often incredibly complicated as Lewis and Morse endlessly debate all kinds of convoluted possible solutions to the case as the stories progress – this is actually the real fun of most of the novels as we explore the jigsaw puzzle plots and try to solve them the same way we would when faced with an acrostic, albeit through often highly imaginative leaps.
Here is a complete list of the books:
- Last Bus to Woodstock (1975)
- Last Seen Wearing (1976)
- The Silent World of Nicholas Quinn (1977)
- Service of All the Dead (1979)
- The Dead of Jericho (1981)
- The Riddle of the Third Mile (1983)
- The Secret of Annexe 3 (1986)
- The Wench is Dead (1989)
- The Jewel That Was Ours (1991)
- The Way Through the Woods (1992)
- Morse’s Greatest Mystery and Other Stories (1993 / 94)
- The Daughters of Cain (1994)
- Death is Now My Neighbour (1996)
- The Remorseful Day (1999)
Morse in the books is a more likely, less romanticised figure than he would be as played by John Thaw on television. Much rougher rounder the edges, he is a really heavy drinker and has a slightly less palatable interest in pornography and erotica, as explored in Last Seen Wearing when he abandons Lewis on a pretext to spend time in a Soho strip club. This was understandably toned down for the more upmarket TV version, but there is something distinctly earthy about Dexter’s books, a fascination with sex and the power it exerts, that is definitely part of their DNA. This isn’t the only thing that got airbrushed out for TV and to some extent the show did start to feedback into the books – Morse lost his Lancia and started driving the Jag driven in the show by Thaw for instance. But it is also possible to see the influence of the show as beneficial as in some ways Dexter’s books, with their distinctive brand of crossword puzzle logic, seemed to crest and peak as the television series was becoming popular. The Secret of Annexe 3 (1986) was already a bit of a step down, revolving as it does with its slightly absurd disguise / triple bluff and was deemed not strong enough to adapt for TV (the racial element that is crucial to the plot may not have helped in this regard either). Subsequently Dexter could be seen drawing on different sources for his work or reworking favourite themes to good effect. Published when the TV version as in its third year, The Wench is Dead was a total departure, an homage to Josephine Tey’s classic The Daughter of Time with Morse in hospital having to literally act as an armchair detective to solve a Victorian mystery; The Jewel That Was Ours would have been familiar to fans of the TV shows as it was an adaptation of an original story he wrote for the second series entitled ‘The Wolvercote Tongue’ which was scripted by Julian Mitchell but which considerably reworks the material. The otherwise excellent The Way through the Woods again may have seemed a bit familiar as it used the same basic premise of Last Seen Wearing but in many ways improves upon it.
To pick my favourites of the series I found myself focusing less on the wonderfully contrived plots and more on the banter and situations: these three offer a variety of pleasures for the outrageous stories and great dialogue. Not in chronological order …
The Silent World of Nicholas Quinn (1977)
This early novel has a particularly clever gambit based on hearing loss (with which Dexter himself is afflicted) and is probably my favourite overall;
Last Seen Wearing (1976)
Great fun as it features almost a ‘reductio ad absurdum’ of the Morse and Lewis dynamic as they virtually compete in coming up with one complex explanation after another as new facts are revealed and yet are not quite able to nail the elusive murderer. Changed to remarkable effect on TV, even to the extent of altering the identity of the murderer; both versions are excellent in their own way.
The Remorseful Day (1999)
Dexter’s final Morse novel is not his best but as one of the very few examples of an author deciding to bump off his primary character it is well deserving of praise – and it certainly left me with a lump in my throat.
The TV series (1987-2000)
The mystique that quickly built up around this TV series in the UK and then overseas remains I think unparalleled in the genre – the closest one I can think of is Columbo, with which it does have several superficial similarities: in both cases the eponymous protagonist is only known by his surname and he drives a distinctive car; the episodes are all feature-length stand alone films and were never meant to be watched as an ongoing TV series as is the usual norm as there is virtually no link between one episode to the next (with a few notable exceptions). In addition the films, slowly paced as befits the longer format, emphasise complex plots and performances and are basically cerebral games with no ‘action’ to speak of. But Inspector Morse really does stand on its own. While the beautiful locations and use of classical music and allusions to literature and the arts were clearly bait for the middle class heritage crowd of the 1980s, this is a show that really stands up as a series of individual films that can discuss Art, Class, Politics, Police Corruption or even Religion with a seriousness that is completely unexpected in a primetime cop drama. It’s a classic example of sugaring the pill and when the scripts are by such distinctive writers as Julian Mitchell, Charles Wood or Anthony Minghella there is much to reward repeat viewings.
Favourite TV episodes:
To my mind there are no really poor episodes of this show, though Day of the Devil, a deliberately atypical story about a kidnapper and a group of Satanists, comes perilously close to being on par with an episode of the infinitely inferior Midsommer Murders. The noted playwright and novelist Julian Mitchell was the principal writer of the show, responsible for 10 out of the 33 episodes; Anthony Minghella wrote 3, Alma Cullen (author of the recent authorised Morse stage play House of Ghosts) wrote 4; late arrival Daniel Boyle (not to be confused with Oscar-winning director Danny Boyle who also directed 2 outstanding episodes) wrote 5.
My favourites are the ones with the strongest plots but also the most atmospheric since the series was beautifully shot – some of the sequences are photographed with extraordinary care for a TV production, especially for the episode Who Killed Harry Field (directed with enormous panache by Colin Gregg), a move seemingly dictated by the fact that the plot focuses on a painter. In the third series, produced by Chris Burt, who went on to make the enjoyable but slightly more pedestrian Lewis spin-off, attempts were made to make the show more like traditional TV, with an ongoing potential love interest for Morse with the beautiful young medical examiner and a flatter, less showy photographic style; but thankfully this was reversed for the fourth season, which produced some of the finest and most sumptuously photographed of stories – perhaps none more so that Masonic Mysteries, based on Mozart’s The Magic Flute and dealing with the Masons and a complex revenge that sees Morse framed for murder. It’s a hackneyed plot but here it is given magnificent, visually ravishing treatment, with wonderful performances, as always, from its central duo and some cracking dialogue to make this amongst the cream, of the cream, as it were. So, four of the best …
The Silent World of Nicholas Quinn (1987)
Julian Mitchell’s fine adaptation of Colin Dexter’s excellent novel, with Barbara Flynn outstanding as the teacher with an attraction for Morse that is destined never to be (of course).
Masonic Mysteries (1990)
Another Julian Mitchell script, dynamically shot by Danny Boyle and with Ian McDiermid in a typically fine performance as the Machiavellian villain – wonderful stuff.
Promised Land (1991)
Set in Australia rather than Oxford, this is a modern-day western written by Julian Mitchell and directed by John Madden, which is also a meditation on religious belief. Unlikely as it may seem, truly amongst the show’s very finest two hours.
Dead on Time (1992)
This is where we found out why Morse left University and ended up as a copper instead of an academic in one of the few stories that really peals back the layers in his past, one of the five written by Daniel Boyle and directed once again by John Madden, later to make Shakespeare in Love.
With its memorable theme tune by Barrington Pheloung, intricate plots, beautiful Oxford scenery exquisitely photographed, and a truly great team in John Thaw and Kevin Whately, this remain a classic TV show, quite the best of its kind.
While I was never as keen on the Lewis continuation, which concluded after 33 two-hour episodes (exactly the same as the original Morse series, not coincidentally), regular readers will know what a fan I am of Endeavour, in which Shaun Evans is sublime playing Morse as a young man at the beginning of his career in 1960s Oxford. Dexter, who had cameos in many episodes of the three series, truly lives on in his fictional creations. Thank you.
Sorry to hear of his death. I have the entire Inspector Morse set (13 novels and 1 short story collection). I also have his Cracking Cryptic Crosswords.
Sad that he is gone but there is much to celebrate – not to mention a new series of Endeavour for next year.
Always very fond of The Wench is Dead – sad to see him go.
Always a shame, but terrific that he was able to spend 25 years of his life with Morse, but then ended that on his own terms and never had to look back, though he must have been tempted!
I really like Lewis – for the characters, probably more than for the plots. Is the theme tune based on Avalon? RIP CD.
I really like Whately and the way he played the role but I thought it a shame that the intelligence of Hathaway was downplayed on later series. Not sure abotu the music – which one do you mean?
Yes, I’d give him 5 out of 5 tips, too, Sergio. This is a lovely post, and you’ve done such a fine job of sharing what really made his work excellent. Lucky you to have met Dexter, too. He will be much missed.
Thanks Margot – yes, very glad I got to speak to him ‘in his prime’ so to speak.
Great tribute, Sergio! I am embarrassed to say I have never read Morse, but I loved all three series. (I have a thing for Hathaway, I must admit.) Great news to hear that Endeavor is returning. I must try the books, and I have a feeling I haven’t seen every episode of Morse and must watch/re-watch again!
Then you have some real treats ahead fo you Brad – and yes, the relationship between Lewis and Hathaway was vcertainly what made LEWIS work.
Sad news but a long and highly productive life. I still haven’t read any of the books, by the way. I have a full set of them sitting unopened and I am going to make a concerted effort to get into them this year.
Hope you enjoy them chum – different from the TV show in lots of important ways, but as puzzles they are often remarkably intricate.
Really sounds like the best of both worlds – carbon copies would be a tad dull.
In some cases the changes are really radical but Dexter was always involved and the TV show was always a superior product compared to almost anything else on the box at the time.
Yes, it was a prestige show from the beginning and seemed to stay that way right through to the end.
Which is pretty darn rare these days, it really is 🙂
Lovely tribute, Sergio! I love all the iterations of Morse and Lewis. The books themselves are wonderful, more erudite and focused on clever puzzle pieces than most modern crime fiction, and written with true style and wit. The TV series are their own thing, as you say, and also highly enjoyable, each in their own ways. I have a special soft spot for ENDEAVOUR, partly do the the time period and partly due to Roger Allam as Morse’s mentor Thursday – though that series does occasionally go off the rails with narrative missteps (especially in the 3rd series) more frequently than either of its predecessors. All three shows are classy pieces of work.
I always wondered why Dexter stopped writing, essentially, after THE REMORSEFUL DAY, other than a handful of short stories. He was almost 70 by then, and perhaps felt he had done more than enough good work to rest on his laurels, which is certainly true. Still, I would have loved to have seen more from his skilled pen, perhaps another series character, or additional one-offs. Perhaps even some novels of the young Morse, to tie in with ENDEAVOUR. I’m sure he had his reasons, just more of a whinge from someone who’d like to have more Dexter to read.
At any rate, he left a definite and lasting legacy that’s given countless hours of entertainment to millions, and will continue to do so.
Thanks for all that Jeff, very well said. I certainly would have liked more too, but you have to respect that decision, which can’t have been easy. I know what you mean about that series of Endeavour (definitely jumped the tiger 🙂 ) but mostly got its mojo back and, rather nicely, there will six feature-length episodes of the next series instead of the usual four.
Oddly enough, I quite liked the tiger episode (including its continuation of the redeeming of Supt. Bright, quite a two dimensional character in the first few series but who has now been given quite a bit more shading)…the one I really felt was a step too far was the bank hostage one (the last ep in that series). The direction they took the Thursday and Strange characters in, not to mention Morse’s sudden falling in love with Thursday’s daughter, came across as misguided and OTT. But as you say, they have righted the ship and seem to be sailing true once again.
I understand what yiy mean about the siege but I think it did work and they certainly stood by it for the following season. Also, this is the siege that set up the classic in MORSE episode, “Promised Land” set in Australia
I have my doubts about the Lewis and Endeavour spin-offs (as you mention above, the 3rd series of Endeavour went a bit off the rails, and Lewis was terribly uneven at times), but really adored both the books and the original series. Colin Dexter seems to have been a genuinely nice and modest man as well, and he’s given us so much delight with his creation.
Thanks Marina – on the whole I remain impressed with Endeavour, despite occasionally blips admittedly!
I do love the actors!
No argument there 🙂
A very nice tribute to Colin Dexter, Sergio. I have only read the first three books in the series and two of those are on your list of favorites. I have several more to read. Glen really, really liked The Wench is Dead and keeps encouraging me to read it.
He’s right – I think you would like it. No risk of being forgotten even if somewhat different from the TV show, must be said.
Sergio, this is such a lovely tribute to the memory of Colin Dexter — thank you. It opens the world of Dexter for one not very familiar with his work. The television adaptations seem to have overshadowed his novels at some point. Then again, it’s a reflection of the popularity of his fiction.
Thanks Prashant – What with the original adaptations of the novels and then the assorted spin off series, LEWIS and ENDEAVOUR, I think the books have probably been unfairly sidelined a bit. I’ll be reviewing one shortly (I hope).
Look forward to reading it and as well as some of Dexter’s paperbacks in my collection.
Though I have read all the Inspector Morse books, I have not yet seen any TV episode. I now propose to see the 33 episodes of the initial Inspector Morse series (1987-2000) in order.
I think you have an incredible treat ahead of you Santosh, I really do. Enjoy 😀
A great summing-up post Sergio, nice tribute to a nice man. I read all the books, not so bothered about the TV series (too many red herrings and fake solutions to extend the story) but they were beautifully made. And the list of guest stars is incomparable – everyone turned up in Morse.
Thanks Moira, but deeply concerned by your lack of love for the TV versions – the first, second and fourth seasons were especially fine
That’s me told ! If I ever watch more I will concentrate on those series…
If you do, I hope you agree chum 😀
Pingback: Review: The Silent World of Nicholas Quinn (1977) by Colin Dexter – A Crime is Afoot
Great article. Now I want to watch Inspector Morse again.
Always a good idea 🙂